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Posted: Jul 24, 2008 in Things to do, Culture
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Once upon a time, young people's theater in Indianapolis dwelled mainly in the land of fables and fairy tales.
In recent years, some Central Indiana theaters have continued to present traditional stories like "The Pied Piper" and "Jack and the Beanstalk."
But theater performed by, or geared toward youth has been growing up. Fairy tales and morality plays now share the stage with scripts that are a whole lot sassier and more profound than youth productions used to be.
Three local youth-theater productions this weekend offer an edge and sophistication that was rare a generation ago:
Tonight, Theatre on the Square opens "A Very Merry Unauthorized Children's Scientology Pageant," a complex comic drama with music, created by 8-to-12-year-olds. It's a nativity story, with an angel announcing the birth of an influential religious leader. But rather than Jesus Christ, Moses or Buddha, it's L. Ron Hubbard, founder of the controversial Church of Scientology.
Through Aug. 17, American Cabaret Theatre will perform "The Wiz," featuring a multiracial cast of performers in their teens and 20s. Based on the L. Frank Baum story and the 1939 movie "The "Wizard of Oz," "The Wiz" retained the story of a simple girl who traveled to a fantasy kingdom in order to return home to Kansas and help her friends. But the show created a sensation when an African-American cast opened on Broadway in 1975.
And through Sunday, Summer Stock Stage at Park Tudor School will present "Urinetown: The Musical," which was provocative even when a mainstream professional playhouse, the Phoenix Theatre, staged it in 2005. Set in a city that charges citizens for bathroom privileges due to a water shortage, "Urinetown" comments on individual rights and satirizes musical theater.
Ron Spencer, 61, the executive artistic director of Theatre on the Square, said that when he was growing up in Indianapolis, young people's theater generally "was all mindless. It was about how cute kids were while playing Peter Pan or gingerbread people."
Spencer, who went to Warren Central High School, said such shows generally "lacked substance," yet he still was stage-struck when he was cast in "Hans Brinker and the Silver Skates" at age 14.
"It was wonderful," he said. "It spoke to me even at that tender age. Hans had to sell his skates to get money for groceries and doctor bills for his father. My mother had been through the very same thing Mrs. Brinker was going through."
Bob Harbin, 56, artistic director of ACT and a graduate of Speedway High School, said that when he was growing up, "We had to do the classics -- stuff written and produced by and for adults. I remember being in 'Ali Baba and the Forty Thieves.' I was the villain of the piece. I got to sleep on big pillows. At one performance, I actually fell asleep at intermission."
With "The Wiz," and last year's production of "High School Musical," Harbin has been trying "to keep the interest high with young people. I think that young people today are demanding to perform in shows that may have some sort of relevance to their lives, and we really want to get people talking.
"'The Wiz' was certainly pushing the envelope with social issues in the '70s, and it still gives us something to talk about in terms of the difference between black and white society in Indianapolis and anywhere else."
Stephen Koch, who is playing the Lion in "The Wiz," thinks the younger actors "give a larger-than-life, over-the-top quality to the piece." Koch said because "The Wiz" is targeted for families, its more adult concepts -- such as the drug allusions in the poppy field scene -- have been toned down.
Spencer said that the "Scientology Pageant" is "certainly a change for children, and as a director you can imagine that one of my challenges is making sure they are aware that this is a parody of L. Ron Hubbard's life, and that it's poking fun at Scientology."
Ten-year-old Claire Cassidy of Fishers, who plays Hubbard, said that, while "there are some silly parts to the play," Hubbard "is pretty serious....... I don't believe in Scientology, but I understand what the play says."
Assistant director Alvin Sangsuwangul agreed that the young actors seem to understand "Scientology Pageant," despite its complexity. In fact, Sangsuwangul said, today's youth productions are simply "reflecting the times."
"Kids are trying to be grown up today at 10 or 11."
Here are selected theatrical offerings coming up, featuring or targeted to include young audiences:
"A Very Merry Unauthorized Children's Scientology Pageant"
Today through Aug. 16, Theatre on the Square, 627 Massachusetts Ave. 8 p.m. Fridays and Saturdays, 5 p.m. Sundays, $20-$25, (317) 685-8687, www.tots.com.
"The Wiz"
Through Aug. 17, American Cabaret Theatre, 401 E. Michigan St. 7:30 p.m. Thursdays through Saturdays, 3 p.m. Sundays, $15, (317) 631-0334, www.actindy.org.
"Urinetown: The Musical"
Through Sunday, Summer Stock Stage, Park Tudor School, 7200 N. College Ave. 7:30 p.m. today and Saturday, 2 p.m. Sunday, $15, www.tix.com, www.summerstockstage.com.
"As You Like It"
6:30 p.m. Aug. 15, A one-hour adaptation of the Shakespeare comedy, City Center Children's Theatre. West Park, 2700 W. 116th St., Carmel, free, (317) 705-9954, www.thec3t.org.
"Fiddler on the Roof Junior"
8 p.m. today, Saturday and Aug. 1 and 2 and 2:30 p.m. July 27 and Aug. 3. Buck Creek Players, 11150 Southeastern Ave., $11-$13, (317) 862-2270, www.buckcreekplayers.com.
Children's theatre is so great and I am glas to see more company's embracing it and offering it to the community. I was a huge fan of the stage (and always wanted to be on it)but other than Annie, or as you mentioned, the typical children's theatrical production, there wasn't a lot to be had. Even in grade school it wasn't easy to perform Oklahoma or The Music Man without hacking out some of the best stuff. I am seeing more productions offering the "junior" version of well known scripts as a way to help young people test the waters with shows that don't speak down to them, and I can't wait to attend the performances!
The fact that Scientology has become so important that we can poke fun of it is kinda of sad... but very funny!!!
Agreed, theatermom. All performers in the "Scientology Pageant" cast are children.
Thank you Whitney for removing that disgusting comment! As a parent of young girls, I found that comment very threatening. Whoever you are, you should be ashamed of yourself!!!
The fact that Scientology has become so important that we can poke fun of it ...
Again... You people don't realize these are children you are letting people write disgusting things about!!! I agree with IndyMom... They should be reported and removed completely!!
Whitney, Good job on your mention of Summerstockstage this year. I hope that you were able to see a performance. It was absolutely one of the best shows that I have seen this year.
We definately need to remember that these actors are children and that the material is more mature, not the kids. Be kind everyone, you know what kind of support you needed when you were a kid right?
Hey TheatreMom... Just kind of curious since your daughter is in the show...how did the directors prepare them for the pageant since it is a little tongue-in-cheek? I know our directors were always good about explaining some of the stuff we may not be familiar with, but in this case, it is a little different...did you catch anything to tell you how they prepared the kids for the show and its content?
While writing my preview for the Go! section about how children's theater is growing up in Indy, Theatre on the Square director Ron Spencer told me one of his big challenges was to make sure the young performers understood that "Scientology Pageant" was a parody. I watched a run-through rehearsal after doing interviews, then went back to review the show opening night. It was clear that during rehearsals, all performers had developed a deeper understanding of the script. They understood that the piece was tongue-in-cheek satire, but didn't cross the line to openly disrepect the religion.
I would love to...have to check scheduling though...I have some book signings going on this week, etc...I just knew as a child actor myself (back in the day) in order to get what the director's wanted out of us, there sometimes had to be a "backstory" to understand, if you will. I would assume that there would have to be a delicate balance to that though in order to point out what is parody and not cross the line into discrimination. I am glad to hear they had a top notch theatrical education that helped them perform to the best of their abilities. Kudos to them.
Julie, my child is also in the show and he understood more than I gave him credit for, the important thing was that Ron didn't talk at them. He explained along the way and the kids have grown since the opening of the show.